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How is Media affected by the Female Gaze?  What does it mean? Kate Kinninmont, MBE, MD, The F Word Media Co, United Kingdom moderates this panel of exceptional women.  Jenna Suru, Producer/WriterActor, Director,  Paris International Film Festival www.belleepoquefilms, Natasha Marburger, Producer and Exec Director, London Int’l Film Festival and Los Angeles Int’l Film Festival,, Robyn Watson, President, Board of Directors, Women in Film, Atlanta,,Board Member WIFTI  and Former board member, NYWIFT. Susan McEvoy, Writer/Producer, Brass Rocks Productions,, Past President, UWIFT and Past Secretary and Treasurer, WIFTI. Dr. Jennifer Galvin, Filmmaker, Producer Director discuss the state of the industry today.


Let’s discuss composing, clearances and licensing. Darice G. of Synapse Publishing ( discusses with these experts

When/ how does music enter the film. Angela D. Green, Esq. specializing in Music Entertainment Law, Exec Director, Memphis Music Banq and On Location Memphis International Music & Film Festival,, Shay Watson, Composer/Music Supervisor/Singer/Songwriter,, Beth Harrington, Writer/Director; The Winding Stream and The Musicianer among others,, Wynne Adams, Promotions/Marketing/Mgmnt/Producing,


How do I get into film festivals, what do they want from me as a filmmaker, why should I bother? How to choose? Moderated by David S. Smith, Assoc. Director, Columbia State College, Film Technology Program and Artistic Director, FIIFF, leans in to these professionals to get the scoop. Natasha Marburger, London International Film Festival & Los Angeles International Film Festival, Jenna Suru, Paris International Film Festival, Nicole Lieberman, CoFounder, The Female Film Club and Paul McEvoy, ED - Frightfesti UK.  This is a brilliant panel as well. 

PITCH A HOME RUN: on one with David Deborde and Corky Kessler or the merits and pitfalls of the IRS Code 181. What is the Truth. Also what is Pitch who does it, why and is it important to enter pitch competitions. Dave Deborde will get the scoop!